Here is documentation of the short-lived life of my mural… It was installed on August 19, I had an opening for it on the 20th and by the 28th the panel was taken down. Normally, these installations last longer, but we suddenly got a lot of rain in a short amount of time. At the end, the wasps were becoming an “issue” of public safety (ie: the City of Montreal asked us to take it down!). But it was at the end of its life anyway, so we appeased them.
Photo documentation from this week-long process of degeneration is being used to create a single photo-montage that will replace the sugar mural. This billboard image will launched for the opening of the 2009 Mois de la photo in Montreal at the Darling Foundry on September 12.
-
-
Day 1, August 19
-
-
Day 2, August 20
-
-
Day 3, August 21
-
-
Day 6, August 25
-
-
Day 9, August 27
-
-
Detail of day 1
-
-
Detail of day 2
-
-
Detail of day 3
-
-
Detail of day 6
-
-
Detail from day 9
-
-
-
-
-
Posted by admin on August 30th, 2009 :: Filed under
Plan Large public art projectTags ::
Darling Foundry,
Montreal,
mural,
old port,
slavery,
sugar
Installing the mural on-site happened on August 18 and 19th, just before the opening on the 20th. It’s up!! It’s already started to fade, so we’ll see how long this one lasts.
-
-
The set up
-
-
The location
-
-
Loading up with icing
-
-
Applying the sugar glue
-
-
Birds eye view
-
-
Half done
-
-
My lovely assistants
-
-
Finishing up with the border
-
-
The final product
-
-
Day 1: August 19
-
-
Detail
Posted by admin on August 19th, 2009 :: Filed under
Plan Large public art projectTags ::
Montreal,
old port,
public art,
slave trade,
slavery,
sugar
I am working on a 2-part project in Montreal for August/September 2009. It’s for the “Plan Large” project that the Darling Foundry does in conjunction with Mois de la photo. The Darling Foundry has 4 public billboards located in Old Montreal. For each Mois de la photo biennale, the Foundry selects 2 new artists for 2 of the billboards. With this scheme, each billboard stays for 4 years.
I was selected for the ground level billboard this year. The first part of the project is to install a newly designed sugar mural on top of the existing billboard space. As this is a temporary mural, I will be documenting it throughout its demise. This sugar mural will be installed in the beginning of August. Once I have completed my documentation, I will be composing a photo-montage from my documentation. Regardless of its appearance, the panel will the removed by the middle of September so that the photo can be installed in it’s place.
The opening for the Mois de la photo is September 12. At this time, I am still uncertain if the photo will be up for this date, or if the sugar mural will remain. The original idea was to leave the sugar mural up for the opening, so that people could see this ephemeral work before it’s gone. Since the photo billboard will be up for 4 years, there will be ample opportunity for people to see the photo at a later date. This is likely what will still happen.
Here are some images of my design at my studio. The pattern is printed out to the scale and shape of the actual mural (approx. 5 1/2 feet high x 12 feet wide).
-
-
My studio
-
-
Plan Large mural design
Posted by admin on July 21st, 2009 :: Filed under
Plan Large public art projectTags ::
Darling Foundry,
harbour,
Mois de la photo,
Montreal,
public art,
slavery,
sugar
I basically finished installing on Sunday, the day before the opening. The humidity was super high, so the tiles were becoming re-saturated with moisture, and thus, softening and beginning to slide. All of this was leaving me pretty anxious about if things would stay in place until the opening. Then, Sunday night, it poured all night! I just kept thinking, there’s no way it’s all going to in tact after this rain. So Monday morning, I went back to the museum to assess the damage. And… it was actually ok! One tile had fallen off, but a staff member picked it up and kept it in her office for me, so I was able to put it back up. I decided to put up a little more sugar “glue” between the tiles, kind of like grout, to help keep things set. The icing I use for this dries hard and doesn’t rehydrate like the tiles do, so it makes for more secure adhesion.
Here are the photos of the last touch ups and then the final product.
-
-
Sealing the edges
-
-
"grouting" with sugar
-
-
Full frontal
-
-
side view
-
-
View 1
-
-
View 2
-
-
View 3
-
-
bottom
-
-
Dripping mast
-
-
Bottom right
-
-
Top left
-
-
Wasps dining
-
-
Figure, day 1
-
-
Figure, day 2
-
-
Top, dripping
Posted by admin on June 19th, 2009 :: Filed under
Saccharum BATags ::
azulejo,
Brazil,
public art,
salvador,
slavery,
sugar
This project took place in Salvador, Brazil in November - December, 2008 . It’s an outdoor sugar tile mural installed on a public city wall. The style is referential to traditional ceramic tile murals called azulejos. The image below is the mural on the day it was installed, before it began to wash away. It lasted for about 4 weeks in total.

The Wealth of Some and the Ruin of Others - Day one

Applying the sugar tiles to the wall

Installing

Detail of ship painting
Posted by admin on May 23rd, 2009 :: Filed under
The Wealth of Some and Ruin of OthersTags ::
azulejo,
public art,
salvador,
slavery,
sugar